Anne-Lise Broyer / Suzanne Doppelt / Florent Motsch / Olivier Delavallade
Le Chant de la phalène (oraison) uses a series of photographs, some enhanced with graphite, to recreate a sensory experience of the landscape. Anne-Lise Broyer presents the work she developed during a residency at the Domaine de Kerguéhennec.
The aim is to make the rustling audible again, like a song against a song, a song that contains all the beauty (...)
Le Chant de la phalène (oraison) uses a series of photographs, some enhanced with graphite, to recreate a sensory experience of the landscape. Anne-Lise Broyer presents the work she developed during a residency at the Domaine de Kerguéhennec.
The aim is to make the rustling audible again, like a song against a song, a song that contains all the beauty of the world but also its loss. Just like the death of the moth observed by Virginia Woolf, it is a matter of praising the purity of this ultimate dance.
LE CHANT DE LA PHALENE (ORAISON), 24 x 31 cm, 48 pages, 30 two-color reproductions (black/silver), Singer-stitched softcover
Co-published with Nonpareilles and Domaine de Kerguéhennec
Book + print on Japanese paper, signed and numbered from 1 to 12 + audio CD with El Beso by Florent Motsch + packaging in sleeve.
