Christian Gattinoni
Critique d'art
Enseignant à l’École Nationale Supérieure de la Photographie d’Arles depuis 1989. Il pratique écriture et photographie depuis le milieu des années 1970. Il mène un travail de critique d’art qui s’est principalement intéressé au rapport entre photographie, autres arts et sciences humaines dont le dénominateur commun reste le corps. Il partage son temps entre la critique d’art, le commissariat d’exposition et la pédagogie de l’image.
Igor Moukhin
Igor Moukhin / Christian Gattinoni
Igor Mukhin is one of Russia's greatest photojournalists. He had not yet published a monograph in France retracing his photographic career. This book, therefore, presents in some sixty double-page spreads the photographer's journey through Russia's major transformations. Born in the 1960s, he lived through the significant upheavals in the country: from the Khrushchev era and the end of the Soviet regime to Perestroika and the establishment of new social norms.
Part of his work finds in contemporary society signs and figures that marked the Soviet period: statues, effigies, and monuments of a bygone era intersect with scenes where reality is never explicitly shown but is often distanced by the presence of materials or objects that act as screens. His black and white photographs fall somewhere between a certain tradition of French humanist photography and that of a distinctly American street photography. Moukhin positions himself as a close observer of his fellow citizens: the distance he maintains from his subjects defines his style, a detachment that is as benevolent as it is amused and critical.
Igor Moukhin
17 x 24 cm, 112 pages, approximately 60 duotone reproductions, hardcover with matte lamination, French/Russian
Co-published with the city of Kremlin-Bicêtre
Graphic design: Danish Pastry Design
ISBN: 978-2-919507-12-2