This book offers, for the first time, a comprehensive inventory of the photographic collection of the Centre national des arts plastiques (CNAP), in which Patrick Tosani immersed himself for over three years. It retraces the methodology and approach by which the artist composed his iconographic juxtapositions. After the inventory itself, the reader can, as they turn the pages, follow the artist’s gaze and zoom in on the collection to discover the photographs he selected according to criteria that blend the subjective and the scientific.
This selection of more than 700 images, arranged alphabetically by artist’s name, is laid out like the plates of Aby Warburg’s Mnemosyne Atlas. These compositions, which respect the proportions of the works in relation to one another, reflect the exhibition design created by Patrick Tosani and Pierre Giner, which emphasizes unexpected encounters between the works and rejects any hierarchy of their authors or photographic genres.<\/p>\n\n\n\n
An unprecedented exchange between philosopher Marie-Jos\u00e9 Mondzain and critic Laurent Roth focuses on the question of how images are received today. Patrick Tosani and Pierre Giner, in their interview with Fran\u00e7ois Quintin, discuss their meeting, their collaboration, and the working method they used to implement this original project.<\/p>\n","protected":false},"author":13,"featured_media":25806,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"nature":[1281],"statutdeslivres":[],"class_list":["post-25798","livre","type-livre","status-publish","format-standard","has-post-thumbnail","hentry","nature-photographie-en"],"acf":[],"yoast_head":"\n