Starting in 2016, Portuguese photographer Patr\u00edcia Almeida began collecting documents on photography. She sorted through examples to show her students, bought second-hand textbooks, and rediscovered her early negatives. She planned to write a book about her personal history of photography. A few months later, Patr\u00edcia died, leaving her project unfinished.<\/p>\n\n\n\n
On the day of her death, the funeral director asked David-Alexandre Gu\u00e9niot, the photographer’s partner, for a portrait for the wake. \u201cHer last photograph,\u201d he thought at the time…<\/p>\n\n\n\n
Patr\u00edcia’s project was revived, but in reverse. It was about telling a story starting from the end. A story that combined photographic research with an intimate account of grief.<\/p>\n","protected":false},"author":13,"featured_media":23409,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"nature":[1281],"statutdeslivres":[],"class_list":["post-23407","livre","type-livre","status-publish","format-standard","has-post-thumbnail","hentry","nature-photographie-en"],"acf":[],"yoast_head":"\n