Photography
Michelle Debat / Michèle Chomette / Jean Ristat
Pierre Jahan (1909-2003) was a photographer, but also an illustrator, draftsman, and painter, a contemporary of Sougez, Ronis, Doisneau, Kertész, Landau, Steiner… A member of the Rectangle group and then of the XV group, and a representative – not always recognized in his rightful place – of what photography is: an art of passage, an art of crossing, but also an art of deviations, an art where shadow can be the muse of another gaze, the proof of a singular attention to a state of life, a state of mind, a state of affairs…
This monograph covers the major projects that Pierre Jahan created throughout his career:
– les Gisants de la basilique Saint-Denis,
– la série des nus de Plain-Chant,
– la série La Mort et les Statues,
– Paris chante sa nuit,
– les puces,
– la vie bâtelière,
– la poésie du rail,
– le travail du verre,
– les études publicitaires,
– les œuvres surréalistes,
– l’exposition surréaliste de 1938 (images inédites).
