Christian Décamps
Photographe
Photographe au service de l’Inventaire de 1982 à 2001 où il a couvert notamment les départements des Hauts-de-Seine, du Val-de-Marne et des Yvelines, avec une spécialisation dans le patrimoine industriel et les équipements sportifs, il travaille depuis 2001 pour le département égyptien du Louvre.
En Piste
Stéphane Asseline / Philippe Ayrault / Christian Décamps / Laurent Kruszyk / Nicolas Szwanka / Romuald Goudeseune / Denis Soula
Cross-cutting and sometimes marginal topics : gymnasiums, swimming pools, racecourses or tennis court, among others, form an architectural typology of its own. This tenths opus of the « Ré-inventaire » collection looks at the relationship between these exceptional facilities and the region and the athletes who bring them to life. With an enlarge focus on the Paris and its small crown, this books aims to document sport practice of Franciliens since the 1880. In the light of 2024 Olympics and Paralympics games, sports buildings testifies to the Île-de-France region’s historical commitment in the favor of sport and sporting practices.
En Piste
16×20 cm, 112 pages, 70 color reproductions, full paper binding. Graphic design : Danish Pastry Design. Co-edited with the Île-de-France region.
ISBN: 9782843141003
Grand Bain
Stéphane Asseline / Philippe Ayrault / Christian Décamps / Laurent Kruszyk / Jean-Bernard Vialles / Emmanuelle Philippe / Jessy Jouan / Éric Karsenty
First used for sanitation, then as places to learn to swim and compete, before becoming facilities for relaxation and leisure, swimming pools in the Paris region have been profoundly influenced by public use since the second half of the 19th century. A variety of architectural forms have emerged, ranging from simple pools to industrial structures and, in some cases, highly original designs. To this day, the long history of swimming pools in the Île-de-France region has shown how architects' inventiveness has been put to work in the service of all aquatic activities.
This book offers a unique perspective on these everyday spaces through a selection of photographs taken since the 1980s by the Inventaire d'Île-de-France. Taken from a corpus of thousands of images, they offer a poetic view of objects, capturing the light that floods the pools or erasing the sometimes rough contours of the structures.
Grand Bain
Grand Bain, 16 x 20 cm, 112 pages, 70 colour reproductions, hardcover
ISBN: 978-2-843140-77-8
Graphic design: Danish Pastry Design
Co-published with the Île-de-France Region
ISBN: 978-2-843140-77-8
Réseaux
Philippe Ayrault / Stéphane Asseline / Laurent Kruszyk / Christian Décamps / Jean-Bernard Vialles / Paul Damm / Michel Poivert
Bridges, train stations, roads, aqueducts, and viaducts have been studied and photographed since the creation of the Île-de-France Inventory service. This new addition to the Ré-Inventaire collection offers a poetic journey through 40 years of photography.Without straying from the documentary style that is the hallmark of the Inventaire général's photographic work, the Inventaire's photographers drew inspiration from the work of photography's great masters, such as Lartigue and Rusha, to capture the experience of movement, speed, and the sheer scale of these infrastructures.Their work, presented in this book, reveals the raw beauty of these architectural structures.
Réseaux
6 x 20 cm, 72 pages, 50 color reproductions, hardcover
Co-published with the Île-de-France Region
ISBN: 978-2-843140-50-1
À L’ŒUVRE
Stéphane Asseline / Philippe Ayrault / Laurent Kruszyk / Christian Décamps
The studio, in the simplicity of its material reality, falls into the category of “other spaces” conceived by Michel Foucault, and exists only as an imagined place, a gateway to the mental universe of a creator. A place of creation and production, the studio lies between the private sphere and the public domain, and constitutes a space of legitimization because it is the place where the creative process is represented and mediated.
The photographs of artisans' and artists' studios presented in this book, without distinction between the spaces of manual trades and intellectual professions initiated in the 16th century, can also be seen as self-portraits of their occupants, whether they are visible or let the places speak for themselves.
À L’ŒUVRE
Artists’ studios and homes
16 x 20 cm, 72 pages, 50 color and black-and-white reproductions, hardcover
Graphic design: Danish Pastry Design
Co-published with the Île-de-France Region
ISBN: 978-2-843140-14-3
