Photography
Jacqueline Salmon / Georges Didi-Huberman
This monograph, introduced by a text by Georges Didi-Huberman, covers nearly forty years of photographic and other creative work. It revisits the chronology of her various series, weaving them together and highlighting the issues that the artist continues to explore: questions of space, writing, and archives. Photographic prints, archives, and publications are the materials with which Jacqueline Salmon recomposes, double page after double page, her career like a musical interpretation. She presents the reader with the works she considers most important in the construction of her oeuvre.
Furthermore, Jacqueline Salmon has always forged important links with writing. Project after project, her writings shed light on the series she is developing. She has always forged special ties with writers and philosophers who have written extensively about her work. This book is therefore an opportunity to (re)discover extensive excerpts from texts, prefaces, and interviews written about her work and chosen for their relevance to the selected works and for the quality of their writing.
With: Paul Ardenne, Jean-Christophe Bailly, Dominique Baqué, Richard Baillargeon, Jean Baudrillard, Christine Bergé, Christine Buci-Glucksmann, Michèle Chomette, Hubert Damish, Georges Didi-Huberman, Bruno Duborgel, Jean-Christian Fleury, Magali Jauffret, Michel Kelemenis, Christophe Loyer, Michel Poivert, Jean Louis Schef
Futurs antérieurs, 29.5×19.5 cm, 480 pages in four-color and black, approximately 400 reproductions laid out by the artist, full cloth cover with image and silver stamping
