Pascale Cassagnau
Critique d'art
Pascale Cassagnau est docteur en histoire de l’art et critique d’art. Elle est l’auteur de textes sur de nombreux artistes et cinéastes. Ses recherches portent sur les nouvelles pratiques cinématographiques, dans leur dialogue croisé avec la création contemporaine. Elle est en outre inspecteur général de la création artistique, responsable des fonds audiovisuels du Centre national des arts plastiques.
CHAQUE HOMME EST UN SOLEIL
Pascale Cassagnau
From January 2017 to May 2019, based on a proposal by Pascale Cassagnau, head of the Audiovisual Collection at the Centre national des arts plastiques, research workshops and film screenings were organized at the Poissy Central Prison. These workshops invited inmates to explore contemporary art, meet artists, and view video works from the National Contemporary Art Fund alongside other films and texts, with the aim of bringing out each person's inner film.
CHAQUE HOMME EST UN SOLEIL
17 x 24 cm, 200 pages in two colors, 60 reproductions, softcover
Co-published with the Centre national des arts plastiques
Graphic design : Danish Pastry Design
ISBN: 978-2-843140-22-8
Des images comme des oiseaux
Patrick Tosani / Pierre Giner / Marie José Mondzain / Laurent Roth / Pascale Cassagnau / François Quintin
This book offers, for the first time, a comprehensive inventory of the photographic collection of the Centre national des arts plastiques (CNAP), in which Patrick Tosani immersed himself for over three years. It retraces the methodology and approach by which the artist composed his iconographic juxtapositions. After the inventory itself, the reader can, as they turn the pages, follow the artist's gaze and zoom in on the collection to discover the photographs he selected according to criteria that blend the subjective and the scientific.
This selection of more than 700 images, arranged alphabetically by artist's name, is laid out like the plates of Aby Warburg's Mnemosyne Atlas. These compositions, which respect the proportions of the works in relation to one another, reflect the exhibition design created by Patrick Tosani and Pierre Giner, which emphasizes unexpected encounters between the works and rejects any hierarchy of their authors or photographic genres.
An unprecedented exchange between philosopher Marie-José Mondzain and critic Laurent Roth focuses on the question of how images are received today. Patrick Tosani and Pierre Giner, in their interview with François Quintin, discuss their meeting, their collaboration, and the working method they used to implement this original project.
Des images comme des oiseaux
33 x 37 cm, 148 pages, approximately 700 full-color reproductions, paperback with flaps, French/English
Graphic design: Trafik
This book was co-published with the Centre national des arts plastiques
ISBN: 978-2-919507-15-3